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Eli Cortiñas

The Machine Monologs – Part I: The Storm

A close-up shot of a woman who wears glasses.
"The Machine Monologs - Part I: 'The Storm', 2024, multichannel video installation, video stills (Images used under license from Shutterstock.com), Eli Cortiñas. Courtesy the artist.

Many of us aim to have a positive impact on the world. But how much agency do we have in the systems that surround and govern us? In The Machine Monologs – Part I: The Storm, video artist Eli Cortiñas critically examines the role of technology in our lives, offering a glimpse of hope amid a crisis of imagination.

In this first part of a series of audio-visual installations, video artist Eli Cortiñas shows humanoid robots, avatars, and chatbots engaging in monologs about the troubles of our times. We listen to their thoughts and concerns, wondering where their words come from. Do they originate from our collective consciousness, which inevitably runs through their engines? While scientists debate the potential for consciousness in A.I. and robotics, Cortiñas raises the question: are these beings capable of more humanity than humans?

Throughout the work, she challenges technology’s influence on our behavior and its reinforcement of human biases. She offers no easy answers. At the same time, Cortiñas' work speaks to our human ability to share stories and shift narratives toward new paths. Using intricate montage, humor and joy as tools for resistance and critical reflection, she encourages us to rethink the material and virtual reality of our existence and the humanity that underlies it.

CREDITS

The exhibition is curated by Marina Paulenka (Director of Exhibitions at Fotografiska Berlin).

Until 6 Oct 2024

Josèfa Ntjam

Futuristic Ancestry: Warping Matter and Space-time(s)

What are the stories that shape your perception of the world and yourself? How can we create alternative narratives within our communities to mobilize change? In Futuristic Ancestry, artist Josèfa Ntjam explores collective histories, as well as her own memories, to deconstruct these dominant narratives and uncover a new, liberated future.

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A collage of microscopic images of microorganisms in green and purple colors, superimposed over a photograph of a woman.

Until 9 Oct 2024

Lukas Städler

Hain

Gay cruising – the anonymous sexual encounters between gay men in public spaces – is for many a hidden side to Berlin. In "Hain", Lukas Städler breaks old stereotypes by capturing the intimate, romantic moments of these spaces.

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A man sitting on a tree covered with flowers.